Wednesday, April 9, 2014

A Mind at a Time

Dr. Mel Levine is a well-known education expert and pediatrician. He wrote this book, entitled A Mind at a Time, to parents and others who care for children to give them a better understanding of learning patterns. I didn't find anything written directly for music teachers, but most of the things he wrote still apply. For example, Levine talks about mind profiles. He put it best in saying: 
Some of our children are blessed with profiles that are magnificently matched to expectations, while others are saddled with profiles that fail to mesh with demands.
To the parents of children that may not be blessed with such a marvelous profile, he counsels to take heart. Don't give up on them, and don't allow them to give up on themselves. Fix weaknesses by pursuing strengths. 

Every child has a creative side. It's up to them to pursue it. Levine says:
In being creative, kids unshackle their minds and discover novel possibilities for self-expression and mental free play. 
Everything I've studied so far in this project tells stories of kids finding an escape in music. But all of them needed a little nudge from an adult figure - either a parent or a teacher. I'm excited to be in that position!

Sometimes, though, students and teachers clash. To address this, one cannot rewire the student, nor can one alter the expectations of the teacher. No one is at fault when there just isn't a good relationship. But how can it be dealt with? Compromise and acceptance. Through all walks of life, there will be people we don't get along with. Unfortunately for some, this begins in an elementary school classroom, or with your childhood piano teacher. Here's a little side-note from my life.

I have 4 sisters. We all grew up playing piano and competing in soccer.  My oldest sister, Jennifer, was a goal-keeper, just like me. As a goal-keeper, you get pretty beat up - your hands especially. Jennifer was really good at soccer, but she was even better at the piano. She even studied it in college and is now a great teacher. When my family moved to Arizona, Jennifer started taking lessons from a lady here. This teacher did not support Jennifer's soccer playing, mainly because of her torn-up hands. This teacher felt that piano was everything. You can't do soccer and piano. That's impossible. She was the kind of teacher that would smack your hands every time you made a mistake. She was a little intense. Jennifer didn't take lessons from her for very long. Why? Because she was constantly being put down by her piano teacher!

Moral of the story: Putting each other down will get you no where.

The next thing that I found really important was what Levine said about motivation. 
Generally speaking, an individual is motivated if he finds the goal attractive.

We are motivated to do something if we feel we can actually achieve it. Otherwise, motivation is nonexistent. But who sets the standards for what students need to achieve? Teachers? Parents? Themselves? We can't let students feel like they have to meet certain standards. That's when self-confidence begins to crumble. They feel they'll never be as good as the person next to them. That's what worries me about having a piano recital. I'm afraid that my students will look at each other's performances and think, "Wow. They learned way faster than I did. I'll never be that good." That is the last thing I want to happen! I want to have a recital so we can celebrate the progress that's been made over the past few months. I always want to stress that EVERYONE IS DIFFERENT. Some minds just aren't made for certain things. My mind, for example, fails at history and biology. Those subjects focus so much on memorization, which just isn't my thing. I work with processes and free-thinking, like math and music. The way I see it, music is just like math. You start simple, learning the fundamentals. Then you're exposed to more difficult concepts which, with practice, will come.

We cannot allow discouragement to engulf the minds of students. 
We want them to succeed.
We want them to want to succeed.

Tuesday, April 1, 2014

Frustration

I am typically a very optimistic person. But the past week has really gotten me down, and I don't like it! It seems like nobody practices, nobody cares, nobody wants anything to do with piano. Yesterday, I had a student show up for his fifth lesson. I have had him playing Oh When the Saints Go Marching In since the first time he came. Every week, he was supposed to learn it in a new key. He has only learned it in 2 because he still doesn't know how the song goes! I was about to lose my patience with him yesterday. Instead, this was me throughout the lesson: 


I had plans for last night, and I had to drag myself into my car to go because I was just so down from the lessons this past week! It was terrible! I don't teach on Tuesdays because my schedule conflicts with everyone else's. I am so glad I have the day off to just kind of relax and get my head on straight before I have to deal with another student who most likely didn't practice. I don't ask much of them! I really don't! Now I know how my math teacher felt when he would randomly collect homework and only 4 people did it. I felt bad getting lectured for not doing my homework. I feel worse on the other side! This anger may be unwarranted because I wasn't the best at practicing the piano when I took lessons. But I practiced enough where I wasn't at the same place for 5 weeks! Okay, I'm sorry. I just needed to get the frustration out. And this blog is supposed to be a candid account of my journey with this project, right? I wouldn't be honest in saying that everything is going great and that there are no hitches to teaching. Teaching is hard.

Monday, March 24, 2014

Intelligence

Psychologist Raymond Cattell studied the idea of intelligence. He broke up general intelligence into two distinct counterparts:


Fluid Intelligence - This is basically the ability to reason quickly and to think abstractly. This peaks in our early adulthood, as the graph shows, and as we grow older, our fluid intelligence decreases. We tend to forget things more easily.


Crystallized Intelligence - This refers to the knowledge and skills that are accumulated over a lifetime. It involves learning, knowledge, and skills, and increases with age as we become more and more experienced.



On Mondays, I teach my oldest student. As I taught him today, I really started to notice how age affects one's ability to learn and acquire new skills. For example, we were clapping out rhythm sheets that I do with every student. I could see that in his mind, he knew how it was supposed to sound, but it was really a struggle for him to clap it out. Every time he made a mistake, he would stop, say, "That was wrong", and start over. I started to feel bad for him after a while. He was getting frustrated because his mind just doesn't work the way mine does. Not anymore, at least. His fluid intelligence has really decreased, and I can see that. It's not just that though. I have been blessed with musical talent. I know that. He, on the other hand, was blessed with the mind of an engineer. That was his life before he reached the age of retirement. He over-analyzes details and tends to look at the mechanics of playing the piano rather than just listening to the music he creates. This is pretty much how we work:

His mind
My mind



Wednesday, March 19, 2014

Music and the Mind

After discussing my independent study with one of my students, she lent me these cassette tapes entitled Music and the Mind. I was not intending on using these as part of my research, but I am so glad I got the opportunity to. They are made by Michael Ballam.
Michael Ballam
He talks about music and its effects on the human mind. He mostly shares stories, which helped me stay focused and interested in what he was talking about. Here are summaries of a few of the stories that stuck out to me:

The Paper Boy
The paper boy in some small town came from a family that had 10 kids. After dinner, they would all pick up whatever musical instrument was laying around (because there were a lot of them) and would just start playing. They would spend an hour playing music that had been written by somebody else, and then would just start "jamming". This jamming could go on for 10 minutes, or it could go on for hours. It all depended on how much they were feeling the music that night. Kids in the neighborhood were really intrigued by that family and would often go over for dinner, not knowing what went on afterwards. One boy in particular was inspired by the musical talent that this family had and went home and asked his father for a violin. Beforehand, this kid was a troublemaker, and was really challenged in school. Soon after he got that violin, he was on the honor roll. The teachers didn't know what was going on, so they called in his father. The father was used to being called in by teachers to discuss the disciplinary problems his son was having in class. But this time, the teachers said something had changed. The father said, "All I did was buy him a violin."

                Albert
When Albert was six years old, his mother signed him up for violin lessons. Like most other kids, he didn't like it. He liked building houses of cards. In school, Albert's teachers constantly called him stupid and told him that he should leave school to work. It's a good thing Albert stuck with his violin, because at the age of 13, that's where he found his refuge. Improvisation on the violin helped Albert overcome his geometric problems. Playing the violin enabled him to have such intense thoughts that he, Albert Einstein, became one of the smartest people who have ever lived. Looking back, people say he lived in the right side of his brain. The visionary, poetic side. His violin helped him merge the two sides, and for almost 70 years, Albert used the violin to relax when he became stuck in his thinking processes.

Music and Deviant Behavior
People say introducing music classes in schools is too expensive. Jackson Elementary School in Salt Lake City, Utah tried it out. The results showed that the children were more interested and focused in all subjects, even if they weren't particularly good at it. The teachers said there was a lot less disruption in their classrooms. Perhaps there is a link between music education and delinquent behavior. Still, the argument remains that state-funded music education is too expensive. Deviant behavior is also costly. A violin will cost roughly $150. How far will that go in a reform school? Just something to think about.

Thursday, March 13, 2014

Go the Distance - Part 2

One week later, and we have this.
Practice can do amazing things, kids.

Saturday, March 8, 2014

Go the Distance




Rachel has chosen a song for the recital! I think she's going to perform it fabulously in May. This was about 30 minutes after we had started looking at the song. Not bad. Not bad at all.

Thursday, March 6, 2014

Katie Jeanne


This is my friend Katie. She's 14 years old, loves giving hugs, and really loves pizza. She truly is just a sweet spirit. 
When word got around that I was teaching piano for my senior project, Katie's mom asked me if I wanted to teach her. Of course I said yes! Why would I pass up an opportunity like that? My older sister, Dianna, taught Katie for a while before she got a job as a teacher in downtown Tucson. So no, Katie does not fit the same criteria as all of my other students. She does have a past with learning music. But that's okay! I knew it was going to be different teaching her, and that she would give me quite a bit of diversity in my teaching methods. 
Earlier, I read an article about teaching children with Down Syndrome how to play the piano. The author of the article, Rosie Cross, says this:



I believe very strongly that people with learning difficulties, however severe, have as much right to play a musical instrument as the rest of us. What is desperately needed is more teachers who are prepared to teach them, and who will persevere when progress seems elusive.

Patience is definitely an attribute that is needed by these teachers. I honestly don't know how my sister started with Katie from Square 1. My head would have just been filled with doubt. But now that Katie has some familiarity with the piano and with reading music, I feel that I can endure. 

Rosie Cross writes that children with Down Syndrome have a great aural memory, meaning that they have a really good way of remembering things they hear. She also said that they are good at mimicry. If I play a tune for Katie on the piano and tell her to play it, she has a better chance of copying what I just did rather than if I place a piece of music in front of her and tell her to play it. She won't get the satisfaction of playing it right because she doesn't know what that song is supposed to sound like! That's the main thing this article taught me: aural memory and mimicry. 


This article also talked a lot about illustration. At first, I didn't think she meant literal illustration, but she did. She actually draws a picture and tells her students with Down Syndrome to play on the keyboard the feeling they get from the picture. She tells a story about Ziekel, a student of hers. His father stands next to the piano telling a story while Ziekel plays along on the entire keyboard. I simply could not do that. I've never been good at improvising or composing. I think it's great that children with Down Syndrome are good at that! I'm sure Katie will teach me much more throughout this process than I'll teach her.